Let’s Meet The 2023 JURY

AS Panneerselvan (Chair) is an Indian journalist, editor and columnist. He heads the Centre for Study in Public Sphere, Roja Muthiah Research Library in Chennai. He is also the author of Karunanidhi: A Life, his definitive biography of M Karunanidhi, and the editor of an anthology of essays produced by journalist fellows, Uncertain Journeys. In 2022, the Government of Tamil Nadu has conferred him with the GU Pope Award for his literary contributions. In his extensive career in the media, he has worked with several prestigious media houses and networks, including the Sun Network, Outlook magazine, the Hindu, amongst others. His next book is the Periodic Table of Tamil Modernity: 1858 to 1968.

Rakhee Balaram is an Assistant Professor of Global Art & Art History at the University of Albany, State University of New York, where she specializes in modern and contemporary art. She is the author of Counterpractice: Psychoanalysis, Politics and the Art of French Feminism and 20th-Century Indian Art: Modern, Post-Independence, Contemporary. Her curatorial work includes Fragility, an exhibition of contemporary Indian art. Her research has been supported by the Art Histories Fellowship in Berlin, the ICI Berlin Institute of Cultural Inquiry, and the Tata SPEAR grant, among others. Balaram holds double doctorates in French Literature from Cambridge University and History of Art from The Courtauld Institute of Art.

Amitabha Bagchi is the author of four novels. The first, Above Average, was a bestseller. His second novel, The Householder, was published to critical acclaim, the third, This Place, was shortlisted for the Raymond Crossword Book Award 2014, and the fourth, Half the Night is Gone, won the 2019 DSC Prize for South Asian Literature and was shortlisted for the 2018 JCB Prize for Literature. He has written and published several research papers over his extensive career as a researcher and professor, specialising in Computer Science.

Dr J Devika is a historian, feminist, social critic and academician. She currently researches and teaches at the Centre for Development Studies. She has authored several books and articles on gender, politics, social reforms and development in Kerala on publications like Kafila, Economic and Political Weekly and The Wire. She has translated both fiction and non-fiction books between Malayalam and English, including the translation of Nalini Jameela's autobiography and the short stories of KR Meera and Sarah Joseph.

Janice Pariat is the author of The Nine-Chambered Heart , Boats on Land: A Collection of Short Stories and Seahorse: A Novel. She was awarded the Young Writer Award from the Sahitya Akademi and the Crossword Book Award for Fiction in 2013. In 2014, she was the Charles Wallace Creative Writing Fellow at the University of Kent, UK, and a Writer in Residence at the TOJI Residency in South Korea in 2019. Janice also teaches Creative Writing and Art History at Ashoka University. Her novel Everything the Light Touches is forthcoming.

Sara Rai (chair) is a writer and literary translator working with Hindi, Urdu, and English. She has published three collections of short stories in Hindi with her first novel, Cheelvali Kothi (The House of Kites) published in 2010. The German translation of her selected short fiction, Im Labyrinth (The Labyrinth) won the Coburg Rückert Prize 2019, and was also nominated for the Weltempfӓnger Prize, Frankfurt 2020. Her translation of Vinod Kumar Shukla’s Blue is Like Blue won the Atta Galatta Prize 2019 and the Matrubhumi Award 2020. Over the years her work has been translated into Urdu, German, French, Italian and English.

Dr. Annapurna Garimella is a designer and an art historian. Her latest book is a co-edited Marg volume titled The Contemporary Hindu Temple: Fragments for a History (2019) and her upcoming edited volume is titled The Long Arc of South Asian Art: A Reader in Honor of Vidya Dehejia (New Delhi: Women Unlimited, 2021). Annapurna is the Managing Trustee of Art, Resources and Teaching Trust, along with heading Jackfruit Research and Design.

Shahnaz Habib is the author of the nonfiction book Airplane Mode, and the translator of the novels Jasmine Days and Al-Arabian Novel Factory. She, along with the author Benyamin won the JCB Prize for Literature for Jasmine Days in 2018. Her writing has appeared in The New Yorker online, Creative Non-fiction, Agni, Brevity, The Guardian, and Afar, among many others. She currently teaches writing at The New School and consults for the United Nations as well.

Prem Panicker is the editor of Peepli.org, an independent website dedicated to longform multimedia storytelling. He has worked as a journalist and editor for over 30 years across print and digital mediums. Prem was one of the team of journalists who helped start Rediff.com. and has also worked as the Managing Editor, for Yahoo! India. Prem conducts storytelling workshops, and consults various media houses from time to time.

Amit Varma is a writer and podcaster based in Mumbai. He writes The India Uncut Newsletter and hosts the longform conversation podcast, The Seen and the Unseen. He has been a journalist for over two decades, and won the Bastiat Prize for Journalism in 2007 and 2015. Amit also teaches the online course, The Art of Clear Writing.

Tejaswini Niranjana (Chair) is currently Professor and Head, Department of Cultural Studies, Lingnan University, Hong Kong, and Visiting Professor with the School of Arts and Sciences, Ahmedabad University, India. She is the author of Siting Translation: History, Post-structuralism and the Colonial Context, as well as Mobilizing India: Women, Music and Migration between India and Trinidad. Her collection of essays in Chinese, Nationalism Refigured, was re-issued in 2019. Tejaswini Niranjana's translation of Jayant Kaikini's No Presents Please was jointly awarded the DSC Prize for South Asian Literature. Her translation of MK Indira's Phaniyamma won the Central Sahitya Akademi Award for best translation into English.

Aruni Kashyap writes and translates in both English and Assamese. His books include His Father’s Disease and Other Stories, The House With a Thousand Stories, and Noikhon Etia Duroit. His poetry collection, There is No Good Time for Bad News, was a finalist for the 2018 Marsh Hawk Press Poetry Prize and the 2018 Four Way Books Levis Award in Poetry. Aruni won the Charles Wallace India Trust Scholarship for Creative Writing to the University of Edinburgh, and has penned short stories, poems, and essays for the Oxford Anthology of Writings from Northeast, The Kenyon Review, The New York Times, and The Guardian UK, amongst others.

Ramu Ramanathan is a playwright and director based in Mumbai. He has scripted notable plays such as Cotton 56, Polyester 84; Comrade Kumbhakarna; and Mahadevbhai. Eight of his plays have been anthologised in the book 3, Sakina Manzil And Other Plays. He is also the author of the poetry collection My Encounters with a Peacock and co-editor of Babri Masjid, 25 Years On… Ramanathan writes on theatre and culture in newspapers and periodicals. He has been associated with the printing industry for three decades as a journalist. He is the editor of PrintWeek and WhatPackaging? magazines.

Deepika Sorabjee heads the Arts & Culture portfolio at Tata Trusts, and serves as the Trusts representative on the Board of Trustees at the Chhatrapati Shivaji Maharaj Vastru Sanghralaya, Mumbai. Deepika received her MBBS degree from Grant Medical College and the Sir JJ Group of Hospitals before pursuing her passion for the arts. She has been an independent writer on contemporary art and the city since 2009. In 2012-2014 she was a selector for the International Competition section for the Mumbai Film Festival (MAMI). Deepika is also one of the Founder Trustees of the Mumbai Art Room.

Pradip Krishen is a filmmaker who taught himself botany and became an ‘ecological gardener’, restoring degraded habitats with native plants, mostly in the desert regions of western India. He is currently Project Director of the Rao Jodha Desert Rock Park, Jodhpur, the Abha Mahal garden, Nagaur and Kishan Bagh, Jaipur, and he curates the garden of the Calico Museum, Ahmedabad. He has written The Trees of Delhi: A Field Guide and The Jungle Trees of Central India: A Field Guide For Tree-Spotters. His films include Massey Sahib (1986), In Which Annie Gives It Those Ones (1988) and Electric Moon (1991).

Anjum Hasan is the author of the novels The Cosmopolitans, Neti, Neti and Lunatic in my Head, the short story collections A Day in the Life and Difficult Pleasures, and the poetry collection Street on the Hill. Anjum was, until recently, Books Editor at The Caravan. She has been Charles Wallace Writer-in-Residence at the University of Canterbury and visiting professor of creative writing at Ashoka University. She is currently a Homi Bhabha Fellow. Her short stories, essays and poems have been published in Granta, Baffler, Five Dials, Wasafiri, Drawbridge, The Los Angeles Review of Books, The Asia Literary Review, Caravan, and several anthologies.

K R Meera writes fiction in Malayalam and essays in English, and has published four novels, five novellas, six collections of short fiction, two children’s novels and two collections of essays. She has won all the major Malayalam literary awards, including the Kendra Sahitya Akademi Award, Kerala Sahitya Akademi Award (for best novel and for best short fiction), the Vayalar Award and the Odakuzhal Award. Her works in translation include Hangwoman, The Poison of Love, The Unseeing Idol of Light, Yellow is the Colour of Longing and The Gospel of Yudas.

Parvati Sharma began her writing career with The Dead Camel and Other Stories of Love, which earned her praise for its depictions of love and sexuality in urban India. Her novella, Close to Home, was acclaimed as ‘tender, acute and pulsing with real Indian life’. She has also written a book for children, The Story of Babur, and, most recently, a historical biography, Jahangir: An Intimate Portrait of a Great Mughal. Sharma lives in New Delhi, where she has worked as a travel writer, editor and journalist.

Arvind Subramanian was Chief Economic Adviser to the Government of India and is now a Visiting Lecturer at Harvard University. His award-winning book Eclipse: Living in the Shadow of China's Economic Dominance was published in September 2011. In 2011 Foreign Policy named him one of the world's top 100 global thinkers. He has written on India, growth, trade, development, institutions, aid, climate change, oil, intellectual property, the WTO, China, and Africa. He has published widely in academic and other journals.

Deepa Mehta is an Oscar-nominated filmmaker whose work is celebrated on an international scale. Her emotionally resonating, award-winning films have played every major film festival, and been sold and distributed around the globe. Her films include the Elemental Trilogy: Earth, Fire, Water, the final film of which received an Oscar nomination for best foreign language film, Bollywood/Hollywood, Heaven on Earth and the epic adaptation of Midnight’s Children - Salman Rushdie’s three-time Booker Prize winning novel. Her work challenges traditions and stereotypes and is always daring, fearless and provocative. It’s this spirit that saturated her latest work, Anatomy of Violence. Amongst her many honours, she has just received her star on Canada’s Walk of Fame and the Honorary Award for Lifetime Achievement in Cinema at the Reykjavík International Film Festival.

Rohan Murty is a technology entrepreneur. At Harvard University, he founded the Murty Classical Library of India, whose mission is to present the greatest literary works of India from the past two millennia to the largest readership in the world. He has a PhD in computer science from Harvard and an undergraduate degree from Cornell. His research work on white spaces networking was seminal in opening up a new area of inquiry and has won awards and fellowships from Microsoft Research, Siebel foundation, and the National Science Foundation (NSF). In 2012 he was selected as a Junior Fellow at the Society of Fellows at Harvard.

Priyamvada Natarajan is a theoretical astrophysicist at Yale. She is recognized for her seminal contributions to the study of dark matter and the formation and growth of black holes. She uses gravitational lensing observations, the deflection of light rays by matter in the universe, to map the detailed distribution of dark matter. Another abiding interest has been the study of the growth history of black holes over cosmic time and, in particular, the formation of the first seed black holes. She has proposed and worked on models for the formation of massive black hole seeds, direct collapse black holes and their observational signatures.

Recipient of many awards and honors for her work including the Guggenheim, Caroline Herschel and Radcliffe fellowships, she also holds the Sophie and Tycho Brahe Professorship at the Dark Cosmology Center at the University of Copenhagen, and an honorary professorship for life at the University of Delhi.

Aside from research, she is also deeply invested in the public dissemination of science. She is a regular contributor to the New York Review of Books and her first book, Mapping the Heavens: Radical Scientific Ideas that Reveal the Cosmos, was published in 2016.

Arshia Sattar has a Ph.D. from the Department of South Asian Languages and Civilizations at the University of Chicago. She has been a Fulbright Scholar (2010) and a Rockefeller Centre Fellow (2009). Arshia has translated Sanskrit Tales from the Kathasaritsagara and The Ramayana of Valmiki, both of which are published as Penguin Classics. Her most recent publications include Uttara: The Book of Answers (Penguin India, 2016) and The Ramayana for Children (Juggernaut, 2016). She continues to work with the Valmiki Ramayana and teaches courses on classical Indian literatures in India and abroad. She also writes on books and Hindu myths for various magazines and journals and over the last decade, has been a jury member for several literary awards.

Vivek Shanbhag is one of India’s leading novelists. He has published five short story collections, three novels and two plays. Several of his short stories have been adapted into plays and one has been made into a short film. Shanbhag was editor of the literary journal Desha Kaala from 2005 to 2012, and founding editor of the literary supplement of Prajavani, a leading Kannada newspaper. His short stories have been translated into English and other Indian languages. His critically-acclaimed novel Ghachar Ghochar was published in India, the US and UK in English translation; it is now translated into 16 other languages. He is the co-translator of U R Ananthamurthy’s book Hindutva or Hind Swaraj into English. Shanbhag was a Fall 2016 Honorary Fellow at the International Writing Program, University of Iowa. He is an engineer by training, and lives in Bangalore.